

- Main Deity: Naropa Dakini (Naro Khechari Dakini)
- Origin: Tibet, China
- Dimensions: 4cm × 5cm (palm-portable size)
- Pigments: Natural mineral pigments (lapis lazuli, cinnabar, malachite, etc.)
- Shell Craftsmanship: Dunhuang Nine-Colored Deer pattern silver shell
- Grade: Collectible (complies with 12 traditional Tibetan thangka production processes)
I. Cultural Context of the Main Deity: Naropa Dakini – The Esoteric Symbol of "Wisdom in Wrath"
II. Artisanal Value: Natural Mineral Pigments and 12 Processes for "Palm-Sized Eternity"
- Pigment Materials: Made from rare minerals such as lapis lazuli (blue background), cinnabar (red body of the deity), and malachite (decorative patterns). These materials are aged for 3 years, ground to a fine 5-20μm powder, and mixed in a traditional ratio of 3:1 (mineral powder to ox glue). They offer lightfastness of over 100 years, ensuring colors remain vibrant over time.
- Painting Details: The deity’s flame patterns use a "layered glazing method," gold lines are controlled to 0.15mm ± 0.02mm in width, and the "eye-opening" process (the final step in painting the deity’s eyes) requires a blessing ceremony by a high lama – aligning with the Tibetan tradition of "painting eyes last to imbue spirituality."
III. Shell Aesthetics: Dunhuang Nine-Colored Deer Silver Shell – Cross-Civilizational Symbol Fusion
- Cultural Significance: The Nine-Colored Deer is the central figure in the Jataka Tale of the Deer King (Mogao Grottoes Cave 257), symbolizing "justice, kindness, and blessing" – echoing Naropa Dakini’s role as a "protector against evil."
- Craft Details: The silver shell is cast using the lost-wax method to feature Nine-Colored Deer scroll patterns, with hidden Tibetan "Eight Auspicious Symbols" on the edges. It protects the inner thangka from moisture damage while leveraging the traditional folk belief that "silver wards off evil" to strengthen the wearer’s emotional connection.
IV. Collectible Status: The "Value Density" of Small-Sized Thangkas
- Size Scarcity: Hand-painted miniature thangkas require artists to use micro-techniques (e.g., 晕染 with the little finger over an 8-12mm radius), taking 1.5 times longer than standard thangkas.
- Material Proportion: Natural mineral pigments account for 65% of the cost; lapis lazuli, in particular, has seen a 500% price increase over 10 years due to depleted mines, enhancing the pendant’s value retention.
- Certification Standards: It meets the "Wothangka" collectible evaluation system (dual compliance with process integrity and cultural purity), with an annual appreciation rate of 28.3% – making it a "small but refined" investment in the art market.
V. Wearing and Maintenance: "Daily Practice" with Tibetan Ritual Objects
For all orders exceeding a value of 100USD shipping is offered for free.
Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item.
Otherwise, standard shipping charges apply. Check out our delivery Terms & Conditions for more details.
Returns will be accepted for up to 10 days of Customer’s receipt or tracking number on unworn items. You, as a Customer, are obliged to inform us via email before you return the item, only in the case of:
– Received the wrong item.
– Item arrived not as expected (ie. damaged packaging).
– Item had defects.
– Over delivery time.
– The shipper does not allow the goods to be inspected before payment.
The returned product(s) must be in the original packaging, safety wrapped, undamaged and unworn. This means that the item(s) must be safely packed in a carton box for protection during transport, possibly the same carton used to ship to you as a customer.
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